{"id":2739,"date":"2020-03-25T16:19:55","date_gmt":"2020-03-25T15:19:55","guid":{"rendered":"http:\/\/hugoarcier.com\/?p=2739"},"modified":"2023-11-23T16:16:18","modified_gmt":"2023-11-23T15:16:18","slug":"clinamen","status":"publish","type":"post","link":"https:\/\/hugoarcier.com\/en\/clinamen\/","title":{"rendered":"CLINAMEN"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/xOXJl6zD9gw?controls=0\" width=\"1024\" height=\"576\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\nClinamen a film by Hugo Arcier<br \/>\nChoreographer Christine Bastin with Anna Chirescu, Simon Feltz, Pierre Guilbault<br \/>\nCreation visuelle <a href=\"http:\/\/no130.io\/\" rel=\"noopener noreferrer\" target=\"_blank\">N\u00b0130 Creative Studio<\/a><br \/>\nsupervision Hugo Arcier<br \/>\nFX artist Mihai Grecu<br \/>\nmodeling, lighting futuristic Paris Benjamin Bardou<br \/>\nMotion Capture Mocaplab<br \/>\nMusic Xavier Thiry, percussions Cristi\u00e0n Sotomayor, mixage Tristan Lhomme<br \/>\nCoproduction Op\u00e9ra national de Paris, Les films Pell\u00e9as<\/p>\n<div id=\"metaslider-id-2747\" style=\"max-width: 1024px;\" class=\"ml-slider-3-107-0 metaslider metaslider-flex metaslider-2747 ml-slider has-dots-nav ms-theme-cubic\" role=\"region\" aria-label=\"Clinamen\" data-height=\"576\" data-width=\"1024\">\n    <div id=\"metaslider_container_2747\">\n        <div id=\"metaslider_2747\">\n            <ul class='slides'>\n                <li style=\"display: block; width: 100%;\" class=\"slide-2754 ms-image \" aria-roledescription=\"slide\" data-date=\"2020-03-25 15:43:31\" data-filename=\"intro-4K.837.Still006-1024x576.png\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/hugoarcier.com\/test\/wp-content\/uploads\/2020\/03\/intro-4K.837.Still006-1024x576.png\" height=\"576\" width=\"1024\" alt=\"\" class=\"slider-2747 slide-2754 msDefaultImage\" title=\"intro 4K.837.Still006\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-2755 ms-image \" aria-roledescription=\"slide\" data-date=\"2020-03-25 15:43:31\" data-filename=\"P6_4K.2016.Still003-1024x576.png\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/hugoarcier.com\/test\/wp-content\/uploads\/2020\/03\/P6_4K.2016.Still003-1024x576.png\" height=\"576\" width=\"1024\" alt=\"\" class=\"slider-2747 slide-2755 msDefaultImage\" title=\"P6_4K.2016.Still003\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-2757 ms-image \" aria-roledescription=\"slide\" data-date=\"2020-03-25 15:43:31\" data-filename=\"P12-4K.10258.Still001-1024x576.png\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/hugoarcier.com\/test\/wp-content\/uploads\/2020\/03\/P12-4K.10258.Still001-1024x576.png\" height=\"576\" width=\"1024\" alt=\"\" class=\"slider-2747 slide-2757 msDefaultImage\" title=\"P12 4K.10258.Still001\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-2756 ms-image \" aria-roledescription=\"slide\" data-date=\"2020-03-25 15:43:31\" data-filename=\"P11.8516.Still002-1024x576.png\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/hugoarcier.com\/test\/wp-content\/uploads\/2020\/03\/P11.8516.Still002-1024x576.png\" height=\"576\" width=\"1024\" alt=\"\" class=\"slider-2747 slide-2756 msDefaultImage\" title=\"P11.8516.Still002\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-2753 ms-image \" aria-roledescription=\"slide\" data-date=\"2020-03-25 15:43:31\" data-filename=\"P20_4K.23439.Still005-1024x576.png\" data-slide-type=\"image\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/hugoarcier.com\/test\/wp-content\/uploads\/2020\/03\/P20_4K.23439.Still005-1024x576.png\" height=\"576\" width=\"1024\" alt=\"\" class=\"slider-2747 slide-2753 msDefaultImage\" title=\"P20_4K.23439.Still005\" \/><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div>\n<p>Clinamen is a film in computer-generated images where the danced movement is expressed in its purest form. It takes us into a new vision of the Palais Garnier and a futuristic Paris.<\/p>\n<p>Can a choreography exists without the bodies of the dancers?<br \/>\nClinamen is a praise of movement where movement is expressed in its purest form. The spectator naturally appropriates this universe, initially abstract, and connects distinct elements to generate an imaginary body.<br \/>\nThe film also offers an original re-reading of the Palais Garnier, a building transformed into a surprising space made up of atoms, as virtual as it is mental. Aboard this ship, we travel towards the future.<br \/>\nThe title of the film Clinamen is taken from Lucrecius&#8217; poem De rerum natura and Epicurean physics. It is a force that allows to deflect the trajectory of atoms and make them collide with each other. The dancers also have this faculty and, through this declination of atoms, the ability to create. The whole film is the visual expression of this phenomenon.<\/p>\n<p><iframe loading=\"lazy\" width=\"1024\" height=\"576\" src=\"https:\/\/www.youtube.com\/embed\/iC5QGlaU3zQ?controls=0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>They talks about it:<br \/>\n<a href=\"https:\/\/www.francetvinfo.fr\/culture\/spectacles\/danse\/l-art-numerique-monte-sur-la-troisieme-scene-de-l-opera-de-paris_3891399.html\" rel=\"noopener noreferrer\" target=\"_blank\">France info<\/a><br \/>\n<a href=\"https:\/\/www.telerama.fr\/television\/video-trois-choregraphes-qui-ont-revolutionne-la-danse-contemporaine,n6632916.php\" rel=\"noopener noreferrer\" target=\"_blank\">telerama<\/a><br \/>\n<a href=\"https:\/\/www.cnews.fr\/culture\/2020-03-30\/confinement-avec-sa-3eme-scene-digitale-lopera-de-paris-continue-doffrir\" rel=\"noopener noreferrer\" target=\"_blank\">cnews<\/a><br \/>\n<a href=\"https:\/\/www.la-croix.com\/Culture\/3e-scene-lOpera-Paris-spectacle-continue-2020-04-13-1201089183\" rel=\"noopener noreferrer\" target=\"_blank\">La Croix<\/a><br \/>\n<a href=\"https:\/\/www.lefigaro.fr\/musique\/avec-sa-plateforme-de-creation-numerique-la-3e-scene-l-opera-de-paris-s-ouvre-au-grand-public-20200328\" rel=\"noopener noreferrer\" target=\"_blank\">Le figaro<\/a><br \/>\n<a href=\"https:\/\/www.ledevoir.com\/culture\/ecrans\/575596\/ecrans-trois-bons-documentaires-pour-un-petit-millesime\" rel=\"noopener noreferrer\" target=\"_blank\">Le Devoir<\/a><br \/>\n<a href=\"https:\/\/www.3dvf.com\/redaction\/clinamen-hugo-arcier-mele-les-techniques-dans-une-danse-poetique\/\" rel=\"noopener noreferrer\" target=\"_blank\">3DVF<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Video<\/p>\n","protected":false},"author":1,"featured_media":2761,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,14],"tags":[139,53],"class_list":["post-2739","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-video","tag-highlight","tag-selection"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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